There's plenty to talk about regarding the 97th annual Academy Award nominations, most of it the usual hullabaloo over perceived surprises (Jeremy Strong for Best Supporting Actor! Coralie Fargeat for Best Director! Nickel Boys and

When his father is pronounced dead years after going missing in an Oregon forest, unemployed writer and stay-at-home dad Blake Lovell (Christopher Abbott) makes the trek back for the first time in 30 years, joined by his journalist wife

As a film critic, I'm used to getting asked unanswerable questions, and I have stock answers for most of them. The most frequent query I receive, naturally, is what I think the best picture ever made is.

There is an early moment in writer-director Jane Schoenbrun's I Saw the TV Glow that permanently burned itself into my psyche. Questioning seventh-grader Owen (Ian Foreman) is participating in one of those gym exercises where the entire class whips

The good news about Sony's latest attempt to transform one of its Spider-Man rogue's gallery of villains, Kraven (the Hunter), into a viable cinematic antihero is that the finished film isn't that bad. The problem is, it's not that good either.

The underdog documentary Lady Like makes several interesting creative choices throughout its brief 87-minute running time. This helps ground the biographical look at the life and times of RuPaul's Drag Race season 14 runner-up Lady Camden

With the sequel's Thanksgiving holiday release on the horizon, I sat down with Moana 2 producer Christina Chen and actor Hualālai Chung on the Space Needle's observation deck to chat about the film.

Be that as it may, I have not read Burroughs' unfinished, semiautobiographical Queer, published in 1985 but written between 1951 and 1953. After watching Luca Guadagnino's disquietingly rambunctious film adaptation, I feel compelled to read it.

It's taken over two decades for the popular ? "You're gonna be pop-u-LAR!" ? Broadway musical sensation Wicked to transition from stage to screen.

Masterminded by Penthouse doyen Bob Guccione, written by internationally renowned Gay scribe Gore Vidal, and directed by sexploitationist Tinto Brass, 1980's Caligula rapidly became the most expensive independent production in cinema history