Music historian Elijah Wald, a prominent presence at the Pop Conference at MoPOP, took a turn into old-time obscenity for his new book, Jelly Roll Blues: Censored Songs & Hidden Histories.

The legendary "Prince of Puke," who at 78 shows no signs of easing up on the gas , brings the annual A John Waters Christmas to the Neptune Theatre on December 3-4.

Masterminded by Penthouse doyen Bob Guccione, written by internationally renowned Gay scribe Gore Vidal, and directed by sexploitationist Tinto Brass, 1980's Caligula rapidly became the most expensive independent production in cinema history

See "Tennessee Rising" as part of the Intiman Cabaret at the Erickson Theater Nov. 8-10.

On September 25, audiences poured into The Here-After to witness Stephen Brower in his one-man show, "Palatable Gay Robot".

Hey, Seattle! Big news from our vibrant nightlife scene: Midori Monét, a beloved figure on Capitol Hill and a trailblazer for Transgender visibility, is gearing up to take the national stage at the Miss International Queen USA pageant.

Make no mistake, The Grand Illusion is a Seattle landmark, a one-of-a-kind theater that's entirely volunteer run and celebrates cinema of all types and persuasions from around the globe. There's no other venue quite like it anywhere.

Maybe it's appropriate that "The Apprentice" director Ali Abbasi (Border) has made something so perplexingly frustrating, yet still aggravatingly mesmerizing, out of the relationship between young Donald Trump and firebrand lawyer Roy Cohn.

With Terrifier 3, writer and director Damien Leone takes Art the Clown (David Howard Thornton) fully into loopily insane, Evil Dead 2 anything-goes territory.

It's not a stretch to say that director Kimberly Peirce's 1999 Academy Award-winning debut Boys Don't Cry helped save my life.